“Don’t try to be original. Be simple. Be good technically, and if there’s something in you, it will come out.” – Henri Matisse
Veegay – dv456studio@gmail.com
Veegay (Veronica Lee) is a Hong Kong–based music producer and audio engineer with an established reputation for creating emotionally resonant, technically refined sound for theatre, film, immersive media, and cross-disciplinary projects.
With a classical music background and over 30 years of industry experience, she excels at bridging creative and technical roles—producing original music while handling full-spectrum audio engineering, from recording to final mix.
Her dual identity as both craftsperson and composer makes her a valuable collaborator in story-driven projects, where every sonic detail matters.
Her music is poetic, cinematic, elegant and diverse, characterized by sensitivity to narrative, collaborative openness, and a deep command of both acoustic, orchestral and digital production environments. She is often praised fskillset in music production, and her charm and energy in live performances, bridges genres and formats—producing music for theatre, film, immersive installations, musicals, and branded content.
She is an active member of the independent music community and actively engages in esteemed local mentorship initiatives, providing guidance and expertise to emerging musicians to foster their artistic growth and professional advancement.
李端嫻 – dv456studio@gmail.com
畢業於香港中文大學音樂系，主修作曲，後獲香港演藝學院音響工程文憑，成為香港少數女音響工程師之一，編曲演奏製作混音無所不能，業界別號「全天候多功能婦女」。曾與香港及台灣歌手如黃耀明、容祖兒、張信哲、at17、何韻詩等合作。此外，李端嫻更曾與亞里安、陳珊妮、范曉萱分別成立樂隊 Minimal, 拜金小姐, 100% ，是獨立音樂界的活躍份子。
李端嫻特別喜歡影像與劇場媒體配樂，近年較多參與電影配樂及廣告及劇場音樂，電影《叔叔》、《離騷幻覺（序）》、《華麗之后》、《極光之愛》、《空手道》、《逆向誘拐》、《非分熟女》等。更憑電影《那夜凌晨，我坐上了旺角開往大埔的紅VAN》，獲第34屆香港電影金像獎「最佳原創電影音樂」獎。
曾合作的劇場團體包括進念二十面體、香港藝術節、台灣人力飛行劇團、雙妹嘜舞蹈劇場、風車草劇團、神戲劇場等。亦憑音樂劇場《陪著你走》獲第29屆香港舞台劇獎「最佳原創音樂（音樂劇）」。